Year: 2015

Making your message work for everyone

There is a well known Indian folk story that describes how a group of blind men who encounter an elephant all have very different descriptions based on their individual experience of the parts, rather than the whole. When we communicate, it is important to break down ‘the elephant’ into the parts that make the most sense to the most people.

The 4C Communication test ensures that your messages are clear enough to describe the whole to four very different people.

4C Communication Test

  • A colleague: This tests clarity and depth of understanding. It is the ‘fact check’ version of a message. A colleague will be able to understand the concepts and the detail of the message. Framing your message for a colleague tests for credibility.
  • A child: This forces us to use the most essential elements to create a simple message. Simultaneously conceptual and concrete, the ‘for a child’ test is a challenge of eliminating all but the core. Framing your message for a child tests simplicity.
  • A customer: This message test asks us to focus on the ‘so what’ of a message and to consider the relevance to the ‘other’. How does this help me? Why should I care? Framing your message for a customer tests relevance.
  • A cab driver: Be prepared to explain yourself and to hear a counter-perspective*. Does your message stand up to the scrutiny of a stranger? Framing your message for a cab driver tests for opposition.

There are other variations of this. Consider the personas that would be useful tests in your environment.

*In no way am I suggesting that cab drivers are essentially argumentative. However, my unscientific sampling spread over many years would indicate that many are conversationalists who have a sense of public opinion, often based on talk radio. 

There is always another way to see things

The colourful dress is a great metaphor for the need to remember that people see the world differently.
The colourful dress is a great metaphor for the need to remember that people see the world differently.

[Update: This post was written in 2015.]

I have known that things aren’t always the way you first see them since I was a child. My rainbow does not look the same as the rainbow that the vast majority of you see. I don’t see the explosion of red when bottlebrush is in season and I am just as likely to be wearing a purple tie thinking it is blue as I am a grey one thinking it is green.

I am colourblind.

For the most part, this colour uncertainty is something curious. The most serious consequences for me included not being able to choose being a pilot, a policeman or an electrical engineer as a career.

During a working bee I once spent half an hour looking for tins of green paint that turned out to be the very same tins of pink paint I had moved aside to commence my search. Other volunteers were dispatched to search for me, and when they arrived, they pointed to the cans that I had placed aside. The look on their face told me they couldn’t understand how I couldn’t see this.

Over the last two days I have found it fascinating to see how people have responded to the #thedress, the phenomenon of the photo of a dress that appears to be different colours depending on the viewer.

 The Dress, 2015 – Alanna MacIness and Caitlin McNeil

What has stood out is the degree that people are ready to become entrenched in their position that the dress either has to be white-gold, or blue-black.

This little internet storm highlights one of the biggest challenges to communication. Everyone who is sure the dress is one colour and not the other (just like the working bee paint rescuer) struggle to accept that there could be another way to see things.

This post from arts and culture site Hyperallergic on the philosophical roots of the reaction to #thedress explores the how these experiences of ‘otherness’ challenge our understanding of the world.

But the gift that I have been given by my other-sightedness is a daily sense that there may be another way. Over the past twenty years, my work as a communicator and change manager is to help leaders, project managers, employees consider that blue might be gold and white might be black.

There is always another way to see something.

It is such a great, simple metaphor for differences in perception. Craig Silverman at Poytner has written a wonderful piece on what the whole episode can teach journalists which I recommend to anyone involved in writing, communicating and change. As Silverman writes:

“The simple truth is our brains process information in ways that can lead us astray. This is something every journalist needs to be aware of and account for in the work we do.”

For the record, I have no opinion either way on the colour of the dress. There are some excellent explainers about the phenomenon from New Scientist and IFLScience.